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Grab your new-found quarantine object friend, be it a lampshade, or a volleyball named Wilson, as we discuss Cast Away’s renewed relevance.

Lockdown Looking Glass: Taking a Day Off with Ferris Bueller

We’re looking at a John Hughes classic in this Lockdown Looking Glass, as we reconsider the ’80s joy of Ferris Bueller’s Day Off.

As lockdown limits face-to-face contact, we revisit the resonance of landmark movie My Dinner With Andre in an era of cyber exchanges.

In I May Destroy You, Michaela Coel asks whether processing the trauma of sexual assault through screenwriting the answer to recovery.

Uncut Gems was one of the best movies of 2019, with Adam Sandler in an unfamiliar role in a drama.

In this edition of Studio Ghibli Sundays, Jeremy Arblaster looks at what makes Princess Mononoke such an enduring classic, even

Peaky Blinders’ Joe Cole leads the spectacularly violent new crime epic Gangs of London on Sky, from The Raid director Gareth Evans.

Murphy is a kooky-creative turned revisionist historian in the glitter-covered confusion of his new series, Hollywood.

Critically appreciated but criminally underseen, studio co-founder Isao Takahata’s Only Yesterday is a tender tale of self-discovery.

Disney’s increasingly laboured Star Wars trilogy doesn’t so much as fall across the finish line as faceplant into it. Enter at your own risk.