Feature: Ranking 25 years of Pixar movies from worst to best
We rank the films of Pixar, a studio who’ve brought us some of the greatest animated films of all time. How do they hold up after 25 years?
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Author: Harry Jones
Film review: Dick Johnson Is Dead takes an unorthodox approach to death
Kirsten Johnson stages her father’s death in a beautiful, honest and courageous film that tries to come to terms with his passing.
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Film review: I’m Thinking of Ending Things is another knotty Kaufman trip
Charlie Kaufman’s new Netflix film, a surreal road trip through the snow, is possibly his most challenging film yet.
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Film review: The Assistant is a quietly searing tale of abuse culture in film
This deftly told portrait of a film executive’s assistant is a subtle and precise telling of the film industry’s darkest secret.
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Film review: Ema is an electrifying watch that doesn’t quite connect
Ema is a stunning and intoxicating journey, but it isn’t nimble enough to dance its way around the complex subject matter.
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Feature: Crossing the border from Whisper of the Heart to The Cat Returns
Studio Ghibli are no strangers to crossing over from reality to fantasy, but in these two films they took a bold, different approach.
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Film review: Dark Waters adds a layer of style to the procedural genre
Mark Ruffalo is yet again a man on a mission in Todd Haynes’ seeringly engaging investigative thriller, overfilling with style and passion.
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Film review: Richard Jewell is the hero we never knew we needed
Clint Eastwood’s tale of an innocent white man under the microscope of the American media is a genuinely heartfelt triumph.
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Anniversary feature: La Dolce Vita and the star too big for Hollywood
Ahead of La Dolce Vita’s anniversary screenings at The Electric Cinema, we wonder why Marcello Mastroianni never became a Hollywood star.
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Film review: Uncut Gems is a roller coaster crash you can’t look away from
The Safdie Brothers up the ante in a thriller that you’ll find yourself trying to alter the course of as it descends into unbearability.
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