Feature: Connecting with your past self as if it were Only Yesterday
Critically appreciated but criminally underseen, studio co-founder Isao Takahata’s Only Yesterday is a tender tale of self-discovery.
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Author: Sophie Sutcliffe
Film review: The Souvenir is a gorgeous amble through 1980s London
Joanna Hogg’s semi-autobiographical new feature, The Souvenir, invites us into the pastel-washed world of her memories.
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Film review: Us attempts to untether itself from Get Out, but loses its way
Jordan Peele’s ambitious second film neglects the subtle subtext found in his debut, descending too easily into all-out horror.
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Film review: Ray & Liz is a necessary look at poverty in the West Midlands
Richard Billingham brings his domestic photography to life in this feature debut which explores a childhood marked by poverty.
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