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Feature: The morality of screenwriting your trauma in I May Destroy You

In I May Destroy You, Michaela Coel asks whether processing the trauma of sexual assault through screenwriting the answer to recovery.

Uncut Gems was one of the best movies of 2019, with Adam Sandler in an unfamiliar role in a drama.

In this edition of Studio Ghibli Sundays, Jeremy Arblaster looks at what makes Princess Mononoke such an enduring classic, even

Peaky Blinders’ Joe Cole leads the spectacularly violent new crime epic Gangs of London on Sky, from The Raid director Gareth Evans.

Murphy is a kooky-creative turned revisionist historian in the glitter-covered confusion of his new series, Hollywood.

Critically appreciated but criminally underseen, studio co-founder Isao Takahata’s Only Yesterday is a tender tale of self-discovery.

Disney’s increasingly laboured Star Wars trilogy doesn’t so much as fall across the finish line as faceplant into it. Enter at your own risk.

This deftly told portrait of a film executive’s assistant is a subtle and precise telling of the film industry’s darkest secret.

By starring a young, woman of colour, Kaling gives us the refreshing, mainstream Indian-American representation that we’ve been waiting for.

Following the success of Spirited Away, Howl’s Moving Castle used Studio Ghibli’s newfound fame to discuss the War on Terror.